In collaboration with Miami University Hamilton theatre, An Evening of Improv brings together a diverse group of community members, college students and OxACTers. Bekka Eaton, assistant professor of theatre at Miami University Hamilton, is a professional actor who began her … Continued
Lily Tomlin’s one woman tour-de-force won The New York Drama Desk Award and The New York Drama Critics Circle Award as well as a Tony for Best Actress. From Trudy, the homeless savant to Chrissy, the vapid gym bunny, this … Continued
The Nunsense Christmas Musical, Nuncrackers, is presented as the first TV special taped in the Cable Access Studio built by Reverend Mother in the convent basement. It stars the nuns you love, plus Father Virgil, and four of Mount Saint … Continued
In the opening scene, two Supreme Beings plan the beginning of the world with the relish of two slightly sadistic suburban wives decorating a living room. Once they’ve decided on the color scheme of the races, a little concerned that white people will feel slighted being such a boring color, they create sex and the sexes. Afraid women will have too many advantages, the Beings decide to make childbirth painful and to give men enormous egos as compensation. From this moment, the audience is whisked through the outrageous universe of Kathy and Mo, where two actresses play men and women struggling through the common rituals of modern life: teenagers on a date, sisters at their grandmother’s funeral, a man and a woman together in a country-western bar. With boundless humor, Parallel Lives reexamines the ongoing quest to find parity and love in a contest handicapped by capricious gods—or in this case, goddesses.
Talking With… is composed of eleven ten-minute monologues, each featuring a different woman who talks about her life. The play includes the pieces, “Fifteen Minutes,” “Scraps,” “Clear Glass Marbles,” “Audition,” “Rodeo,” “Twirler,” “Lamps,” “Handler,” “Dragons,” “French Fries,” and “Marks.”Idiosyncratic characters amuse, move and frighten, always speaking from the depths of their souls. They include a baton twirler, a fundamentalist snake handler, an ex rodeo rider and an actress willing to go to any length to get a job.
Charles Schulz’s beloved comic comes to life in Clark Gesner’s classic musical, You’re a Good Man, Charlie Brown. The whole gang is here: bossy Lucy is hopelessly in love with piano prodigy Schroeder who doesn’t give her the time of day, perfectionist Sally is still mocking blanket-toting Linus, Snoopy is in the doghouse, and “blockhead,” himself, Charlie Brown, is in rare form. Brief vignettes span the months from Valentine’s Day to Beethoven Day, from wild optimism to utter despair. In this revised version, with additional music and lyrics by Andrew Lippa and dialogue by Michael Mayer, the sweet, joyful innocence of the Peanuts gang is maintained, but a fresh insouciance and playfulness is revealed. The new script features two new songs, particularly funny dialogue, and new, catchy orchestrations. Whether you’re keen to fly with the Red Baron, moon over the Moonlight Sonata, or just do your best to find “Happiness,” You’re a Good Man, Charlie Brown is a crowd-pleasing classic.
No Fish in the House is a mad capped comedy in the lunatic Italian tradition of the Commedia dell’arte. Follow the Commedia De Lazzi players, lead by legendary dramatist Tony Bologna, as they rehearse their new play, No Fish in … Continued
Gillian Holroyd is one of the few modern people who can actually cast spells and perform feats of supernaturalism. She casts a spell over an unattached publisher, Shepherd Henderson, partly to keep him away from a rival and partly because she is attracted to him. He falls head over heels in love with her at once and wants to marry her. But witches, unfortunately, cannot fall in love, and this minute imperfection leads into a number of difficulties. Ultimately, the lady breaks off with her companions in witchery, preferring the normal and human love offered her by the attractive publisher. But before the happy conclusion of the romance, Gillian comes very near to losing him—but doesn’t.
