Fiddler on the Roof (1987)
When Tevye’s eldest daughter, Tzeitel, begs him to let her marry a poor tailor rather than the middle-aged butcher that he has already chosen for her, Tevye must choose between his own daughter’s happiness and those beloved traditions that keep the outside world at bay. Meanwhile, there are other forces at work in Anatevka, dangerous forces which threaten to destroy the very life he is trying to preserve.
The Real Inspector Hound
It is a foggy and foreboding day at Muldoon Manor. This charming, but isolated, English country house is populated by tortured and suspicious characters. A game of bridge results in raised temperatures and veiled threats; a mysterious man, possibly mad, shows up to charm the lady of the house and her young friend; and a dead body lies under the sofa, waiting to be discovered. All the while, a pair of pretentious critics comment on the action, munch chocolates, complain bitterly about their professional rivals, and ogle the attractive actresses. In The Real Inspector Hound, Tony and Academy award-winning playwright Tom Stoppard has crafted a witty, surreal, and compelling tale in which identity is as changeable as a moustache, or a pair of boots, and a hack production of a tired whodunnit can be the cover for a masterful revenge plot, trained on the professional members of the audience.
Evita
Evita is a musical with music by Andrew Lloyd Webber and lyrics and book by Tim Rice. It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine president Juan Perón. The story follows Evita’s early life, rise to power, charity work, and eventual death.
Cast
Eva: Lisa Ericksen
Che: Matthew Dentino
Peron: Bob Brunner
Peron’s Mistress: Kathy McGrew
Magaldi: George Huffman
The Company
Matt Benzing
Nora Ellen Bowers
Kristina Campbell
Mark Ericksen
Jerry Fairall
Beth Hartle
Diana Hicks
Jim Malott
Nicole McLain
Terry McNeer
David Meredith
Maureen Nimis
Todd Noris
Joanne Reisman
Karl Schilling
John Vanek
Barry Zaslow
The Children
Angie Abney
Joe Bowers
Benjamin Heckert
Marcia Hendricksen
Suzanne McGrew
John Nimis
Sara Nimis
Ryan Olcott
Erin Schilling
William Thompson
Our Town
Three-time Pulitzer Prize-winning author Thornton Wilder began his storied career as a novelist before branching out to short stories, screenplays, and dramatic works. At first glance, his play Our Town appears to be a simple, innocuous portrait of life in the small New Hampshire town of Grover’s Corners. But as time passes in the three acts—an ordinary day, a wedding, a death—the play builds to a soaring exploration of human existence: its boundless trials, joys, questions, certainties. This play “is one of the great democratic products of American literature. It gives you the sense that the same profound and horrible truths hold true whether you’re a sophisticate in Paris or a farmer in Grover’s Corners” (acclaimed writer Tom Perrotta in the Atlantic).
The Dining Room
The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is a mosaic of interrelated scenes—some funny, some touching, some rueful—which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP. The actors change roles, personalities and ages with virtuoso skill as they portray a wide variety of characters, from little boys to stern grandfathers, and from giggling teenage girls to Irish housemaids. Each vignette introduces a new set of people and events; a father lectures his son on grammar and politics; a boy returns from boarding school to discover his mother’s infidelity; a senile grandmother doesn’t recognize her own sons at Thanksgiving dinner; a daughter, her marriage a shambles, pleads futilely to return home, etc. Dovetailing swiftly and smoothly, the varied scenes coalesce, ultimately, into a theatrical experience of exceptional range, compassionate humor and abundant humanity.
6 RMS RIV VU
6 Rms Riv Vu derives its title from shorthand used by real estate agents in classified advertising. In this case, a six-room apartment with a view of the Hudson River, located on Manhattan’s Riverside Drive, serves as the comedy-drama’s setting. Paul Friedman is a married advertising copywriter, Anne Miller is a discontented housewife, and the two meet when they respond to a listing in The New York Times for the available unit. They discover the door has been locked accidentally, trapping them inside, and a connection slowly develops as they begin to share the details of their respective lives.
Godspell
Godspell is a musical composed by Stephen Schwartz with the book by John-Michael Tebelak.
The musical is structured as a series of parables, primarily based on the Gospel of Matthew. The parables are interspersed with music set primarily to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end of the show.
Pippin
Pippin is a 1972 musical with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance.
The protagonist Pippin and his father Charlemagne are characters derived from two real-life individuals of the early Middle Ages, though the plot is fictional and presents no historical accuracy regarding either. The show was partially financed by Motown Records.
Dial “M” for Murder
Tony Wendice has married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. He blackmails a scoundrel he used to know into strangling her for a fee of one thousand pounds, and arranges a brilliant alibi for himself. Unfortunately…the murderer gets murdered and the victim survives. But this doesn’t baffle the husband: He sees his hireling’s death as an opportunity to have his wife convicted for the murder of the man who tried to murder her, and that is what almost happens. Luckily, the police inspector from Scotland Yard and a young man who is in love with the wife discover the truth, and in a scene of almost unbearable suspense they trap the husband into revealing his guilt, thus freeing Margot.
Ah, Wilderness
Eugene O’Neill’s Ah, Wilderness! is a sharp departure from the gritty reality of the author’s renowned dramas. Taking place over the July 4th weekend of 1906 in an idyllic Connecticut town, it offers a tender, retrospective portrait of small town family values, teenage growing pains, and young love.
Every Brilliant Thing
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