Morning’s at Seven is a play by Paul Osborn. Its plot focuses on four aging sisters living in a small Midwestern town in 1928, and it deals with ramifications within the family when two of them begin to question their lives and decide to make some changes before it’s too late.
How far would a man go to protect his family, his interests, and his legacy? Joe Keller, the patriarch in All My Sons, desperately wants to secure and maintain the financial security and legacy he spent so many years building, ready to hand it down to his surviving son Chris. At the same time, Joe’s wife Kate is still waiting for their eldest son Larry to return from war, determined that he is alive and will marry the former girl-next-door, Ann –the daughter of Joe’s former business partner who is sitting in prison, punished for Joe’s crimes. To complicate this family drama, Chris and Ann are in love and want to get married. In All My Sons, Arthur Miller creates a post-war American family in a tragic downfall of lies, greed, love, and loss, and demands its audience examine their own social responsibilities to all the sons of American wars.
When Tevye’s eldest daughter, Tzeitel, begs him to let her marry a poor tailor rather than the middle-aged butcher that he has already chosen for her, Tevye must choose between his own daughter’s happiness and those beloved traditions that keep the outside world at bay. Meanwhile, there are other forces at work in Anatevka, dangerous forces which threaten to destroy the very life he is trying to preserve.